We Suspend Our Disbelief*

Suspending our disbelief? Mystery writer/blogger Margot Kinberg delves into this touchy subject at Confessions of a Mystery Novelist!

Confessions of a Mystery Novelist...

Suspension of DisbeliefA recent interesting comment exchange with Melanie, who blogs at Grab the Lapels, and an interesting post from FictionFan, who blogs at FictionFan’s Book Reviews, have gotten me thinking about the difference between books and their film adaptations. More to the point, they’ve gotten me thinking about whether we’re more willing to suspend disbelief for film than for a book.

Most readers will tell you that, for the most part, they want their books to be credible. Books are, of course, fiction, so there’s likely to be at least a bit of suspension of disbelief. But at the same time, most readers do want a sense of authenticity about what they read.

Is it the same for films? Do we want more credibility in books or films, or does it not matter? For instance, John Hart’s The Last Child features thirteen-year-old Johnny Merrimon, whose twin sister Alyssa went…

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